Asheville artist Brennen McElhaney takes on the challenge of painting a soaring fireplace mural.
Most of my painting is done on canvas, maybe 16 x 20 inches on average. So, when my client asked if I would consider painting a 14 foot tall fireplace mural, I had to expand my repertoire a bit.
Sketches and Mockups
Thanks to the digital magic of Photoshop I was able to do preliminary sketches and then superimpose them onto photographs of the fireplace. This was essential to get preliminary approval from my client and to make sure that I was starting off on the right foot.
Pictured below are my first and second sketches. Right below those images are the same sketches photo-shopped onto a picture of the fireplace in order help the client visualize what the final mural might look like.
Fortunately for me, my client had a very clear picture in mind for what she wanted. The custom-built house, which is elegantly appointed with old world style furniture, constructed with meticulous attention to detail and premium quality materials, set the tone for the mural.
The home is located at The Cliffs at Walnut Cove, a private golf community near Asheville, nestled in between the Blue Ridge Parkway and the French Broad River. (As a side note, I had the privilege of having an art show at the Clubhouse several years back.)
The mural itself was to feature Aslan the Lion, from the Chronicles of Narnia with ornamental filigree and heraldic animals, specifically a stag and a boar, interspersed throughout the arabesques. Inspired by two murals at the Biltmore House, both depicting medieval hunting scenes over fireplaces in the Tapestry Gallery.
The Blank Slate
I have to admit this was a daunting task. The great room has soaring ceilings (25 ft. at the highest point, by my estimation). The fireplace with cut stones and field stones rising to about 6.5 feet. The main surface of the hood is a wedge shape about 7 feet wide at the base, tapering upward 14 feet to about 3 feet wide at the top.
Starting the Fireplace Mural
It is tricky to draw a large symmetrical design. In order to accomplish this I outlined the arabesque motifs on large sheets of tracing paper. Then I took the line drawings, flipped them over and positioned them to mirror the design on the other side, and then drew over the line, transferring a light pencil impression onto the wall.
The Final Fireplace Mural
The final step was to create a distressed texture over the entire mural to give the look and feel of age and history. This was achieved by two methods, one additive and the other subtractive. I scrubbed the paint of with an abrasive sponge to remove some of the paint of the mural. Also, added texture by painting irregularly over the fireplace mural with the same color as the wall.
As a finishing touch, a red decorative border was added to enhance the magical “storybook” quality.